Harnessing Breath as the Pulse of Autonomous Resilience
breath as a basis of autonomous constitution and motion: in a context of dispossession breath becomes a means of autonomously articulating our own rhythm
Embracing Breath as the Path to Individual Autonomy and Harmonious Motion
on the level of the individual
we are literally and physically able to alter the rhythms of our body through breath
slowing ourselves down, speeding ourselves up, calming ourselves down, preparing ourselves for action, preparing ourselves for sleep
independently and for free we have the capacity to articulate our own rhythm, our own movement
autonomy of body’s motion
Breathing as the Collective Foundation of Being Together
collectively it is both an ontological and a material way of being together
doing something together that brings us together and establishes us as a ‘together’
a group of people collectively doing the most fundamental aspect of life – breathing
in workshops when we have breathed together as a way of entering a space or done some other activity to change our rhythm and establish ourselves collectively I have always felt that conversations and the general orientation to each other is more generous than if not
its as if our journeys up to the place of gathering are all so divergent and we are all bringing our own rhythms, stresses and inertias
the act of breathing together establishes the possibility of constituting a beginning together and a collective rhythm for the gathering that relates all of our motions to each other but de-individualizes and socializes them as we breathe together
Exploring the Rhythmic Pulse of Music and its Resonance within and Beyond
breath has always been a kinda touchpoint for me
I have always imagined the drum sound to breathe
and by extension, i receive an ensemble sound to - similarly - be very influenced by and oriented towards breath
whether that’s an abstract, symbolic, biological, aesthetic, ontological or sonic sense of inhalation and exhalation, I am not sure
perhaps beyond these categorizations it’s about what it feels like to play together and the reception or the effect of the music on someone listening to it because music the product, music the record surely it doesn’t ‘breathe’? at least in the same way that plants and humans ‘breathe’?
does the music breathe? perhaps this is not so much the question as does the music invoke breath? what kind of breathing does it invoke? and in whom?
Singing as the Convergence of Shared Material Conditions and Collective Motion
to sing, breath is a precondition, for which breathable air is, in turn, a precondition
to sing together is to breathe together
to sing together is also to be together
to breathe together is to be together
to breathe together is to be subject to the same atmospheric, which is to say material, conditions
to be together is to share the same material conditions
to breathe together is to engage with and have a bodily response to shared material conditions
our inhalation is imbibing from the same source
the multitude of individual exhalations contributes to the collective product and the collective project
together we breathe
together we move
